Over the past decade, the migration of literary discussion to the internet has erased many of the distinctions between traditional criticism and what used to be thought of as “book blogging.” Many of the early bloggers now do a great deal of their writing for established print publications like Bookforum and The Times Literary Supplement, while most, if not all, of the traditional print venues for criticism have a significant online presence—that is, if they haven’t moved online entirely. The end result is a compromise; book bloggers have achieved a wider platform for their work, and the mainstream publications receive a much-needed injection of energy.
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